Most mobile DJs will need some form of lighting to illumine the guests and the dance floor. This guide is intended to help beginner mobile DJs design their original lighting rig by giving careful consideration to a heap of of the less apparent issues that become evident only after working with a mobile lighting rig for some time. Tempting as it may be, the best option is not to jump straight in to buying the latest and biggest lighting effects. By taking a step back and planning the overall package, you will be competent to design an impressive, practical setup that serves you well for a potpourri of functions and won’t break your back or your bank balance.

There’s no right or defective way, and the relative importance of each of these issues will vary depending on the type of functions at which you perform, your preferences, and even your transport. You might choose to ignore numerous of them altogether, but it’s important to give them numerous thought before you begin assembling your equipment.

Practical Considerations

Mobile DJs carry out in all sorts of dissimilar venues, with wildly varying dimensions and facilities. One day you might be in a hotel ball room with all the space and power you need, and the next in a marquee with a low ceiling, uneven floor, and restricted power supply. Most of a DJ’s instrumentation is adaptable sufficient to fit into most spaces without too much trouble. Speakers, whether they’re on stands or not (and in most cases they must be), may be positioned independently of each other so they don’t need a space of rigidly fixed dimensions. However the lighting rig may oftentimes be the greatest item to be set up and might need a substantial amount of power, and may hence be the most difficult to accommodate in a potpourri of venues.

The layout of your lighting rig needs to take into account respective practical considerations:

• Size when packed — will it without apparent effort fit into your vehicle?
• Size when set up — will it effortlessly fit into most venues, or be adaptable sufficient that you may quickly change it if necessary e.g. by using a shorter length of truss or just one T-bar?
• Weight — a great deal of lighting fixtures are heavy. Can you carry all of the constituents without hurting yourself? Are your lighting stands strong sufficient to aid them all safely?
• Carrying in/out — how a great deal of trips will it take to carry all of your instrumentation into/out of a venue?
• Speed to set up — you’ll oftentimes find you don’t have much time to set up, and not a single soul wants to wait around for hours while you pack down at the end. How long will it take to assemble/disassemble?
• Power — how much power will be required to run all of your lighting combined? Finding more power sockets takes time and power furnishes are on occasion fixed (e.g. in a marquee running from a generator). Modern, LED-based lighting effects use very little power and may be a great support here.

Stands

Lighting effects work best when raised up high so that the beams shine down from above and are in a good position to cover a wide area. While others do exist, the types of lighting stand that are most practical for a mobile DJ are:

• T-bar — a horizontal bar mounted on a tripod.
• Truss — a horizontal metal structure mounted on two vertical stands, consisting either of tripods or more truss sections.

Both may be very effective. Trussing may look very impressive but is in general more bulky to transport, takes longer to set up, and is less adaptable. T-bars are posing no difficulty to transport/setup, and may be positioned independently to grant more outstanding flexibleness when setting up. Depending on your transport arrangements both types may on occasion be pre-rigged with cables and even lighting effects, saving time and crusade when setting up and packing away, though in the case of trussing this may make it even more bulky and difficult to set up in a tight space.

Lighting Effects

Not only will your lighting rig need to be adaptable sufficient to physically fit into a assortment of venues, it likewise needs to be adaptable in terms of the effects it produces. Including a assortment of effects will mean you have something suitable to all events and types of music, and also helps to keep the show interesting by varying the effects allround the party.

The main types of effect to consider including, in order of importance, are:

• Colour wash — PAR cans, LED bars, etc. to throw coloured light over a wide area.
• Room-filling effects — twisters, gobo flowers, etc.
• Scanners/moving heads — scan beams and patterns around the room / dance floor.
• Special effects — lasers, strobes, etc.

A haze or fog/smoke machine helps to spotlight the light show by making the beams visible in mid-air, but beware of using them in venues with fire alarms. The aftermaths of triggering a venue’s fire alarm system could include an evacuated venue, a ruined party, and a visit from the local fire service!

Controlling the Lights

Having a assortment of effects is no use without a way of controlling and switching among them. This may be as simple as a power switch panel (19″ rack-mount versions are available), or for better control use a DMX controller. With a suitable DMX controller and DMX compatible lights, it is possible to control your effects such that they synchronise and supplement each other. Although it is more elaborated and requires more effort and equipment, this is the best way to give rise to a veritably professional looking show.

Use gentle, slow-moving effects for slow music, and more energetic effects for more immediate music. Everything gets boring after a while, so vary the effects all around the event and use particular effects sparingly at suitable moments.

Presentation

The look of your scheme is important. Although most humans won’t know specific makes/models of lighting fixtures, they will detect if your setup is untidy or unprofessional. Try to intent for somewhat consistent looking fixtures. Stick to a colour system if possible — most lighting effects, clamps, and stands are black and silver. Use all black cables and keep them tidy by taping or strapping them to your lighting stands. Try to set up the effects so that they are evenly circulated and symmetrical on your stand(s).

Although they might not be visible for the duration of a performance, the look of any boxes or cases is likewise important. A neat row of professional flight cases gives a far more professional aspect to guests and venue staff than a pile of tatty cardboard boxes.

Cost

There’s a tremendous array of lighting effects available, ranging from very lowpriced to exceedingly expensive. Be realistic when it comes to what you need and what you may afford. Set a budget and undertake to stick to it. Buy the best you may afford within your budget — you’ll regret buying cheap instrumentation if you’re quickly forced to upgrade to something better. However, don’t worry in regards to getting the best of everything — a well designed set up of consistent quality is what’s most important.

American Dj Lts10 Heavy Lighting

American Dj Lts10B Heavy Duty Steel Tripod Stand With Cross Bar Will Extend To 10 Ft Tall.

American Dj Lts10 Heavy Lighting Image

American Dj Lts10 Heavy Lighting Picture

American Dj Lts10 Heavy Lighting Picture

American Dj Lts10 Heavy Lighting Picture

American Dj Lts10 Heavy Lighting Picture

American Dj Lts10 Heavy Lighting Image

Most mobile DJs will need a lot of form of lighting to illumine the guests and the dance floor. This guide is intended to support beginner mobile DJs design their firstborn lighting rig by giving careful consideration to a good deal of of the less apparent issues that become apparent only after working with a mobile lighting rig for a great deal of time. Tempting as it may be, the best option is not to jump straight in to buying the latest and biggest lighting effects. By taking a step back and planning the overall package, you will be competent to design an impressive, practical set up that serves you well for a assortment of functions and won’t break your back or your bank balance.

There’s no right or faulty way, and the relative importance of each of these issues will vary depending on the type of functions at which you perform, your preferences, and even your transport. You might choose to ignore numerous of them altogether, but it’s primary to give them numerous thought before you commence assembling your equipment.

Practical Considerations

Mobile DJs carry out in all sorts of dissimilar venues, with wildly varying dimensions and facilities. One day you might be in a hotel ball room with all the space and power you need, and the next in a marquee with a low ceiling, uneven floor, and restricted power supply. Most of a DJ’s instrumentation is adaptable sufficient to fit into most spaces without too much trouble. Speakers, whether they’re on stands or not (and in most cases they will have to be), may be positioned independently of each other so they don’t need a space of rigidly fixed dimensions. However the lighting rig may oftentimes be the biggest item to be set up and might need a significant amount of power, and may consequently be the most difficult to accommodate in a potpourri of venues.

The layout of your lighting rig needs to take into account respective practical considerations:

• Size when packed — will it without apparent effort fit into your vehicle?
• Size when set up — will it effortlessly fit into most venues, or be adaptable sufficient that you may quickly alter it if necessary e.g. by using a shorter length of truss or just one T-bar?
• Weight — a good deal of lighting fixtures are heavy. Can you carry all of the elements without hurting yourself? Are your lighting stands strong sufficient to help them all safely?
• Carrying in/out — how galore trips will it take to carry all of your instrumentation into/out of a venue?
• Speed to set up — you’ll oftentimes find you don’t have much time to set up, and not a single soul wants to wait around for hours while you pack down at the end. How long will it take to assemble/disassemble?
• Power — how much power will be required to run all of your lighting combined? Finding more power sockets takes time and power furnishes are occasionally fixed (e.g. in a marquee running from a generator). Modern, LED-based lighting effects use very little power and may be a great aid here.

Stands

Lighting effects work best when raised up high so that the beams shine down from above and are in a good position to cover a wide area. While others do exist, the types of lighting stand that are most practical for a mobile DJ are:

• T-bar — a horizontal bar mounted on a tripod.
• Truss — a horizontal metal structure mounted on two vertical stands, consisting either of tripods or more truss sections.

Both may be very effective. Trussing may look very impressive but is in general more bulky to transport, takes longer to set up, and is less adaptable. T-bars are more comfortable to transport/setup, and may be positioned independently to grant dandier flexibleness when setting up. Depending on your transport arrangements both types may now and then be pre-rigged with cables and even lighting effects, saving time and crusade when setting up and packing away, though in the case of trussing this may make it even more bulky and difficult to set up in a tight space.

Lighting Effects

Not only will your lighting rig need to be adaptable sufficient to physically fit into a assortment of venues, it likewise needs to be adaptable in terms of the effects it produces. Including a assortment of effects will mean you have something suitable to all events and types of music, and also helps to keep the show interesting by varying the effects allround the party.

The main types of effect to consider including, in order of importance, are:

• Colour wash — PAR cans, LED bars, etc. to throw coloured light over a wide area.
• Room-filling effects — twisters, gobo flowers, etc.
• Scanners/moving heads — scan beams and patterns around the room / dance floor.
• Special effects — lasers, strobes, etc.

A haze or fog/smoke machine helps to spotlight the light show by making the beams visible in mid-air, but beware of using them in venues with fire alarms. The aftermaths of triggering a venue’s fire alarm system could include an evacuated venue, a ruined party, and a visit from the local fire service!

Controlling the Lights

Having a assortment of effects is no use without a way of controlling and switching amidst them. This may be as simple as a power switch panel (19″ rack-mount versions are available), or for better control use a DMX controller. With a suitable DMX controller and DMX compatible lights, it is possible to control your effects such that they synchronise and supplement each other. Although it is more perplexed and requires more effort and equipment, this is the best way to formulate a veritably professional looking show.

Use gentle, slow-moving effects for slow music, and more energetic effects for rapidly and without delay music. Everything gets boring after a while, so vary the effects allround the event and use special effects sparingly at suitable moments.

Presentation

The look of your system is important. Although most people won’t know specific makes/models of lighting fixtures, they will observe if your set up is untidy or unprofessional. Try to aim for reasonably consistent looking fixtures. Stick to a colour scheme if possible — most lighting effects, clamps, and stands are black and silver. Use all black cables and keep them tidy by taping or strapping them to your lighting stands. Try to set up the effects so that they are evenly passed around and harmonious on your stand(s).

Although they might not be visible for the duration of a performance, the look of any boxes or cases is likewise important. A neat row of professional flight cases gives a far more professional aspect to guests and venue staff than a pile of tatty cardboard boxes.

Cost

There’s a vast array of lighting effects available, ranging from very lowcost to exceedingly expensive. Be realistic when it comes to what you need and what you may afford. Set a budget and undertake to stick to it. Buy the best you may afford within your budget — you’ll regret buying cheap instrumentation if you’re speedily forced to upgrade to something better. However, don’t worry when it comes to getting the best of everything — a well designed set up of consistent quality is what’s most important.

American Dj Super Black Light

2 ft black light tube and fixture

American Dj Super Black Light Picture

American Dj Super Black Light Photo

American Dj Super Black Light Photo

American Dj Super Black Light Photo

American Dj Super Black Light Image

American Dj Super Black Light Pic

Most helpful customer reviews

41 of 44 people found the following review helpful.
Wow, expected cheap, and got better… for cat piddle
By a consumer
I shopped hard for a blacklight because I believe it will be something rarely used, but when it is used, I wanted it be be working well. So good and inexpensive were my hot buttons. It’s not for decor, it’s to look for kitty pee on the carpets. One of our cats was ill recently and I wanted to be sure we got everything cleaned up. If you do want it for decorating purposes, it throws quite a light.

The blacklight arrived very well packaged and with no damages. In 5 minutes I had it set up, doused the lights, and looked. This baby uncovers a whole ‘nother world. The cat accidents were readily apparent… as were some other odd spots. I need to go look up what blacklights reveal because some of what I saw wasn’t cat product- for example, there was a fine spread-out glow on the floor under where one of our family members often eats snacks!

But for stalking kitty pee, this was wonderful. I had slips of paper in my hand and laid them across the spots to mark them, then turned the regular lights back on to work on them with paper towels and Woolite carpet spray for pets. Went back and forth this way a few times until everything came up clean. The light’s now in the basement, ready for -heaven forbid- the next time it’s needed.

43 of 48 people found the following review helpful.
excellent black light
By Ramon Castro
this black light is awsome it brights all my little room (5 meters x 7 meters). I got a friend (neighbor) that has the same dimensions of his room and he needs 2 blacklights to fill the ilumination of the room. this is a great product

26 of 29 people found the following review helpful.
Great Blacklight in a manageable size.
By John Malcovitch
Terrific little blacklight, and with very little buzz. In the same room I also have a 48″ BL from a local shop, but it buzzes terribly (a screeching 19 kHz tone).

Very compact, and due to recent discoveries about the workmanship of some previously hammered nails, I’ve also discovered that this beast holds up to several drops from about 5 feet*.

*Your mileage may vary.

See all 76 customer reviews…

Most mobile DJs will need a good deal of form of lighting to illumine the guests and the dance floor. This guide is intended to aid beginner mobile DJs design their primary lighting rig by taking into account numerous of the less evident issues that become evident only after working with a mobile lighting rig for a great deal of time. Tempting as it may be, the best option is not to jump straight in to buying the latest and biggest lighting effects. By taking a step back and planning the overall package, you will be capable to design an impressive, practical setup that serves you well for a assortment of functions and won’t break your back or your bank balance.

There’s no right or defective way, and the relative importance of each of these issues will vary depending on the type of functions at which you perform, your preferences, and even your transport. You might choose to ignore a heap of of them altogether, but it’s indispensable to give them galore thought before you begin assembling your equipment.

Practical Considerations

Mobile DJs carry out in all sorts of dissimilar venues, with wildly varying dimensions and facilities. One day you might be in a hotel ball room with all the space and power you need, and the next in a marquee with a low ceiling, uneven floor, and restricted power supply. Most of a DJ’s instrumentation is adaptable sufficient to fit into most spaces without too much trouble. Speakers, whether they’re on stands or not (and in most cases they ought to be), may be positioned independently of each other so they don’t need a space of rigidly fixed dimensions. However the lighting rig may often times be the greatest item to be set up and might need a substantial amount of power, and may hence be the most difficult to accommodate in a potpourri of venues.

The layout of your lighting rig needs to take into account respective practical considerations:

• Size when packed — will it without apparent effort fit into your vehicle?
• Size when set up — will it effortlessly fit into most venues, or be adaptable sufficient that you may quickly modify it if necessary e.g. by using a shorter length of truss or just one T-bar?
• Weight — a good deal of lighting fixtures are heavy. Can you carry all of the parts without hurting yourself? Are your lighting stands strong sufficient to support them all safely?
• Carrying in/out — how a heap of trips will it take to carry all of your instrumentation into/out of a venue?
• Speed to set up — you’ll ofttimes find you don’t have much time to set up, and not anyone wants to wait around for hours while you pack down at the end. How long will it take to assemble/disassemble?
• Power — how much power will be required to run all of your lighting combined? Finding more power sockets takes time and power furnishes are occasionally fixed (e.g. in a marquee running from a generator). Modern, LED-based lighting effects use very little power and may be a outstanding support here.

Stands

Lighting effects work best when raised up high so that the beams shine down from above and are in a good position to cover a wide area. While others do exist, the types of lighting stand that are most practical for a mobile DJ are:

• T-bar — a horizontal bar mounted on a tripod.
• Truss — a horizontal metal structure mounted on two vertical stands, consisting either of tripods or more truss sections.

Both may be very effective. Trussing may look very impressive but is in general more bulky to transport, takes longer to set up, and is less adaptable. T-bars are having little impact to transport/setup, and may be positioned independently to grant dandier flexibleness when setting up. Depending on your transport arrangements both types may on occasion be pre-rigged with cables and even lighting effects, saving time and effort when setting up and packing away, even though in the case of trussing this may make it even more bulky and difficult to set up in a tight space.

Lighting Effects

Not only will your lighting rig need to be adaptable sufficient to physically fit into a assortment of venues, it also needs to be adaptable in terms of the effects it produces. Including a potpourri of effects will mean you have something suitable to all events and types of music, and likewise helps to keep the show interesting by varying the effects allround the party.

The main types of effect to consider including, in order of importance, are:

• Colour wash — PAR cans, LED bars, etc. to throw coloured light over a wide area.
• Room-filling effects — twisters, gobo flowers, etc.
• Scanners/moving heads — scan beams and patterns around the room / dance floor.
• Special effects — lasers, strobes, etc.

A haze or fog/smoke machine helps to spotlight the light show by making the beams visible in mid-air, but beware of using them in venues with fire alarms. The aftermaths of triggering a venue’s fire alarm system could include an evacuated venue, a ruined party, and a visit from the local fire service!

Controlling the Lights

Having a assortment of effects is no use without a way of controlling and switching amidst them. This may be as simple as a power switch panel (19″ rack-mount versions are available), or for better control use a DMX controller. With a suitable DMX controller and DMX compatible lights, it is possible to control your effects such that they synchronise and supplement each other. Although it is more perplexed and requires more crusade and equipment, this is the best way to give rise to a veritably professional looking show.

Use gentle, slow-moving effects for slow music, and more energetic effects for quicker music. Everything gets boring after a while, so vary the effects all around the event and use particular effects sparingly at suitable moments.

Presentation

The look of your scheme is important. Although most humans won’t know specific makes/models of lighting fixtures, they will detect if your set up is untidy or unprofessional. Try to aim for somewhat consistent looking fixtures. Stick to a colour system if possible — most lighting effects, clamps, and stands are black and silver. Use all black cables and keep them tidy by taping or strapping them to your lighting stands. Try to set up the effects so that they are evenly circulated and harmonious on your stand(s).

Although they might not be visible for the duration of a performance, the look of any boxes or cases is also important. A neat row of professional flight cases gives a far more professional aspect to guests and venue staff than a pile of tatty cardboard boxes.

Cost

There’s a tremendous array of lighting effects available, ranging from very lowpriced to exceedingly expensive. Be realistic with regards to what you need and what you may afford. Set a budget and undertake to stick to it. Buy the best you may afford within your budget — you’ll regret buying cheap instrumentation if you’re speedily forced to upgrade to something better. However, don’t worry with regards to getting the best of everything — a well designed setup of consistent quality is what’s most important.

American Dj Comscan Led Lighting

American DJ Com Scan LED System Includes 2 Com Scan LED Scanners And A UC # Remote. Scanners feature 8 color Gobo Combinations and smooth X/Y Mirror motion no fan necessitated to cool the unit, outstanding optics and compact design make this perfective for mobile applications. Great for Bands, DJ’s and Nightclub use. Easy to operate UC3 controllers allows the user to control on/off of the units and select from on board programs.

American Dj Comscan Led Lighting Image

American Dj Comscan Led Lighting Pic

American Dj Comscan Led Lighting Image

American Dj Comscan Led Lighting Photo

American Dj Comscan Led Lighting Photo

American Dj Comscan Led Lighting Image

Most helpful customer reviews

1 of 1 people found the following review helpful.
Really compact, bright, and affordable.
By Osiris A. Rosa
I purchase this LED scan system and I am very happy with the light show it has to offer. I am a mobile DJ so I prioritize light weight, compact and affordable. These lights look real good on the mobile DJ booth and dance floor. The only complaint I have is the lack of color gobos and shapes. I would of like to see this have at least 4 more gobos but you get what you pay for. Other than that this light is a really good looking light show for the mobile DJ. If you use them with a DMX controller you can use the white gobo to use as a spot light really good for events were you would like to follow a special guest around the stage or dance floor.

0 of 0 people found the following review helpful.
Amazing
By DJ Dave
I have been a DJ for over 20 years now and ever since I saw the first scanners in a night club back when I was old enough to get into them I dreamed of adding something like this to my light show but they were 1000′s of dollers back then. I started DJing before I was 21 and back then we built up these masive lighting and sound systems to play at schools with my freind DJ’s. I had 24 ft of truss at one time loaded with lights spaning across our speaker towers. Today I am just the ocasional DJ performing for mostly freinds and family as My Phillipino wife has a very large family always having some kind of event. With that said most of that big gear is gone now and my current system is very compact as I only DJ ocasionally. All the music is on the laptop as mp3 using PCDJ Red. No more records or CD’s to haul around with some compact Amplified speakers and a powered sub. Why, because most of the events I am hauling my wife and 4 kids with me too so it all has to fit in the SUV with them. When I saw these a said I can abandon my old antiqueted lights as these will do what 10 of them will do without all the heat, pounds and bulbs to replace. It is amazing how far LED Technology has come and if your not sure if an LED lighting system will put out the light intesity as I was you will be very pleasently surprized. These two comscans are now my entire light show as I just mount them to the Speaker stands. Possibly later I will get a small lighting truss but no real need right now for the ocasional gig. I also ordered 2 Ariba cases for them to protect them as these are my new baybies next to my new DN-HC4500 and my kids as I want to make sure they are well protected. I have been messing around with them in the evenings for about a week now and the light show is so cool when you set them to sound mode and have the fog. The RC3 controler is ample but I am considering getting a USB to DMX interface so I can try some free ware I have found to control the lights from my Laptop. It would be cool if I can use my track ball mouse to use them as spot lights and move them around. I’m new to DMX but I’m a high tech guy and understand the concept so it should be a fun project for me to try and figure out. For this price and you are a full time DJ I would not even think twice as you can’t beat the price. Plus Free super saver shipping and no tax. Thanks Amazon! I’m very happy.

See all 2 customer reviews…

Most mobile DJs will need a good deal of form of lighting to illumine the guests and the dance floor. This guide is intended to support beginner mobile DJs design their primary lighting rig by giving careful consideration to galore of the less apparent issues that become apparent only after working with a mobile lighting rig for a good deal of time. Tempting as it may be, the best option is not to jump straight in to buying the latest and greatest lighting effects. By taking a step back and planning the overall package, you will be competent to design an impressive, practical set up that serves you well for a potpourri of functions and won’t break your back or your bank balance.

There’s no right or faulty way, and the relative importance of each of these issues will vary depending on the type of functions at which you perform, your preferences, and even your transport. You might choose to ignore a good deal of of them altogether, but it’s essential to give them a good deal of thought before you start out assembling your equipment.

Practical Considerations

Mobile DJs carry out in all sorts of dissimilar venues, with wildly varying dimensions and facilities. One day you might be in a hotel ball room with all the space and power you need, and the next in a marquee with a low ceiling, uneven floor, and restricted power supply. Most of a DJ’s instrumentation is adaptable sufficient to fit into most spaces without too much trouble. Speakers, whether they’re on stands or not (and in most cases they ought to be), may be positioned independently of each other so they don’t need a space of rigidly fixed dimensions. However the lighting rig may ofttimes be the greatest item to be set up and might need a significant amount of power, and may accordingly be the most difficult to accommodate in a assortment of venues.

The layout of your lighting rig needs to take into account respective practical considerations:

• Size when packed — will it without apparent effort fit into your vehicle?
• Size when set up — will it without apparent effort fit into most venues, or be adaptable sufficient that you may quickly modify it if necessary e.g. by using a shorter length of truss or just one T-bar?
• Weight — a good deal of lighting fixtures are heavy. Can you carry all of the parts without hurting yourself? Are your lighting stands strong sufficient to aid them all safely?
• Carrying in/out — how a great deal of trips will it take to carry all of your instrumentation into/out of a venue?
• Speed to set up — you’ll often find you don’t have much time to set up, and not a single soul wants to wait around for hours while you pack down at the end. How long will it take to assemble/disassemble?
• Power — how much power will be required to run all of your lighting combined? Finding more power sockets takes time and power furnishes are at times fixed (e.g. in a marquee running from a generator). Modern, LED-based lighting effects use very little power and may be a outstanding aid here.

Stands

Lighting effects work best when raised up high so that the beams shine down from above and are in a good position to cover a wide area. While others do exist, the types of lighting stand that are most practical for a mobile DJ are:

• T-bar — a horizontal bar mounted on a tripod.
• Truss — a horizontal metal structure mounted on two vertical stands, consisting either of tripods or more truss sections.

Both may be very effective. Trussing may look very impressive but is in general more bulky to transport, takes longer to set up, and is less adaptable. T-bars are requiring little effort to transport/setup, and may be positioned independently to grant dandier flexibleness when setting up. Depending on your transport arrangements both types may from time to time be pre-rigged with cables and even lighting effects, saving time and effort when setting up and packing away, even though in the case of trussing this may make it even more bulky and difficult to set up in a tight space.

Lighting Effects

Not only will your lighting rig need to be adaptable sufficient to physically fit into a potpourri of venues, it also needs to be adaptable in terms of the effects it produces. Including a potpourri of effects will mean you have something suitable to all events and types of music, and likewise helps to keep the show interesting by varying the effects allround the party.

The main types of effect to consider including, in order of importance, are:

• Colour wash — PAR cans, LED bars, etc. to throw coloured light over a wide area.
• Room-filling effects — twisters, gobo flowers, etc.
• Scanners/moving heads — scan beams and patterns around the room / dance floor.
• Special effects — lasers, strobes, etc.

A haze or fog/smoke machine helps to spotlight the light show by making the beams visible in mid-air, but beware of using them in venues with fire alarms. The aftermaths of triggering a venue’s fire alarm system could include an evacuated venue, a ruined party, and a visit from the local fire service!

Controlling the Lights

Having a assortment of effects is no use without a way of controlling and switching amidst them. This may be as simple as a power switch panel (19″ rack-mount versions are available), or for better control use a DMX controller. With a suitable DMX controller and DMX compatible lights, it is possible to control your effects such that they synchronise and supplement each other. Although it is more perplexed and requires more venture and equipment, this is the best way to construct a veritably professional looking show.

Use gentle, slow-moving effects for slow music, and more energetic effects for rapidly and without delay music. Everything gets boring after a while, so vary the effects allround the event and use special effects sparingly at suitable moments.

Presentation

The look of your scheme is important. Although most humans won’t recognise specific makes/models of lighting fixtures, they will observe if your setup is untidy or unprofessional. Try to aim for reasonably consistent looking fixtures. Stick to a colour system if possible — most lighting effects, clamps, and stands are black and silver. Use all black cables and keep them tidy by taping or strapping them to your lighting stands. Try to set up the effects so that they are evenly passed around and harmonious on your stand(s).

Although they might not be visible for the duration of a performance, the look of any boxes or cases is also important. A neat row of professional flight cases gives a far more professional aspect to guests and venue staff than a pile of tatty cardboard boxes.

Cost

There’s a immense array of lighting effects available, ranging from very lowpriced to exceedingly expensive. Be realistic when it comes to what you need and what you may afford. Set a budget and try to stick to it. Buy the best you may afford within your budget — you’ll regret buying cheap instrumentation if you’re speedily forced to upgrade to something better. However, don’t worry with regards to getting the best of everything — a well designed setup of consistent quality is what’s most important.

American Dj Dura Truss System

5 Ft Extension Truss Piece For The Light Bridge One System.

American Dj Dura Truss System Picture

American Dj Dura Truss System Pic

American Dj Dura Truss System Pic

American Dj Dura Truss System Image

American Dj Dura Truss System Image

American Dj Dura Truss System Picture

Most helpful customer reviews

6 of 7 people found the following review helpful.
Not what it looks like!
By Jason
I ordered this item thinking it was the whole trussing system
however i only received the truss bar from the top.
The picture is not accurate!

1 of 2 people found the following review helpful.
Not as pictured
By vera matthews
Don’t look at only the picture, read the reviews, item is not complete missing stands only rec’d the top piece.

See all 2 customer reviews…

Most mobile DJs will need galore form of lighting to illumine the guests and the dance floor. This guide is intended to help beginner mobile DJs design their basi lighting rig by taking into account a lot of of the less apparent issues that become apparent only after working with a mobile lighting rig for numerous time. Tempting as it may be, the best option is not to jump straight in to buying the latest and greatest lighting effects. By taking a step back and planning the overall package, you will be capable to design an impressive, practical setup that serves you well for a assortment of functions and won’t break your back or your bank balance.

There’s no right or wrong way, and the relative importance of each of these issues will vary depending on the type of functions at which you perform, your preferences, and even your transport. You might choose to ignore a lot of of them altogether, but it’s primary to give them a lot of thought before you start out assembling your equipment.

Practical Considerations

Mobile DJs carry out in all sorts of dissimilar venues, with wildly varying dimensions and facilities. One day you might be in a hotel ball room with all the space and power you need, and the next in a marquee with a low ceiling, uneven floor, and restricted power supply. Most of a DJ’s instrumentation is adaptable sufficient to fit into most spaces without too much trouble. Speakers, whether they’re on stands or not (and in most cases they ought to be), may be positioned independently of each other so they don’t need a space of rigidly fixed dimensions. However the lighting rig may oftentimes be the biggest item to be set up and might need a significant amount of power, and may hence be the most difficult to accommodate in a potpourri of venues.

The layout of your lighting rig needs to take into account respective practical considerations:

• Size when packed — will it effortlessly fit into your vehicle?
• Size when set up — will it without apparent effort fit into most venues, or be adaptable sufficient that you may quickly modify it if necessary e.g. by using a shorter length of truss or just one T-bar?
• Weight — numerous lighting fixtures are heavy. Can you carry all of the elements without hurting yourself? Are your lighting stands strong sufficient to aid them all safely?
• Carrying in/out — how a lot of trips will it take to carry all of your instrumentation into/out of a venue?
• Speed to set up — you’ll ofttimes find you don’t have much time to set up, and not anyone wants to wait around for hours while you pack down at the end. How long will it take to assemble/disassemble?
• Power — how much power will be required to run all of your lighting combined? Finding more power sockets takes time and power furnishes are most times fixed (e.g. in a marquee running from a generator). Modern, LED-based lighting effects use very little power and may be a great help here.

Stands

Lighting effects work best when raised up high so that the beams shine down from above and are in a good position to cover a wide area. While others do exist, the types of lighting stand that are most practical for a mobile DJ are:

• T-bar — a horizontal bar mounted on a tripod.
• Truss — a horizontal metal structure mounted on two vertical stands, consisting either of tripods or more truss sections.

Both may be very effective. Trussing may look very impressive but is in general more bulky to transport, takes longer to set up, and is less adaptable. T-bars are having little impact to transport/setup, and may be positioned independently to grant more outstanding flexibleness when setting up. Depending on your transport arrangements both types may at times be pre-rigged with cables and even lighting effects, saving time and effort when setting up and packing away, even though in the case of trussing this may make it even more bulky and difficult to set up in a tight space.

Lighting Effects

Not only will your lighting rig need to be adaptable sufficient to physically fit into a potpourri of venues, it also needs to be adaptable in terms of the effects it produces. Including a potpourri of effects will mean you have something suitable to all events and types of music, and also helps to keep the show interesting by varying the effects allround the party.

The main types of effect to consider including, in order of importance, are:

• Colour wash — PAR cans, LED bars, etc. to throw coloured light over a wide area.
• Room-filling effects — twisters, gobo flowers, etc.
• Scanners/moving heads — scan beams and patterns around the room / dance floor.
• Special effects — lasers, strobes, etc.

A haze or fog/smoke machine helps to spotlight the light show by making the beams visible in mid-air, but beware of using them in venues with fire alarms. The aftermaths of triggering a venue’s fire alarm scheme could include an evacuated venue, a ruined party, and a visit from the local fire service!

Controlling the Lights

Having a potpourri of effects is no use without a way of controlling and switching among them. This may be as simple as a power switch panel (19″ rack-mount versions are available), or for better control use a DMX controller. With a suitable DMX controller and DMX compatible lights, it is possible to control your effects such that they synchronise and supplement each other. Although it is more elaborated and requires more crusade and equipment, this is the best way to formulate a veritably professional looking show.

Use gentle, slow-moving effects for slow music, and more energetic effects for quicker music. Everything gets boring after a while, so vary the effects all around the event and use special effects sparingly at suitable moments.

Presentation

The look of your scheme is important. Although most humans won’t know specific makes/models of lighting fixtures, they will detect if your setup is untidy or unprofessional. Try to intent for somewhat consistent looking fixtures. Stick to a colour system if possible — most lighting effects, clamps, and stands are black and silver. Use all black cables and keep them tidy by taping or strapping them to your lighting stands. Try to set up the effects so that they are evenly circulated and symmetrical on your stand(s).

Although they might not be visible for the duration of a performance, the look of any boxes or cases is also important. A neat row of professional flight cases gives a far more professional aspect to guests and venue staff than a pile of tatty cardboard boxes.

Cost

There’s a tremendous array of lighting effects available, ranging from very lowcost to exceedingly expensive. Be realistic regarding what you need and what you may afford. Set a budget and undertake to stick to it. Buy the best you may afford within your budget — you’ll regret buying cheap instrumentation if you’re speedily forced to upgrade to something better. However, don’t worry with regards to getting the best of everything — a well designed set up of consistent quality is what’s most important.

American Dj Opti Par Light

The Opti-Par has a special design reflector for higher output than traditionalisti Par Cans. Attractive case design is outstanding for architectural settings. Interchangeable lenses make it simple to change beam angle. Low power consumption enables the use of a lot of Opti-Pars. 120V, 575W halogen lamp gives a very white beam. ? Comes with gel frame, cable (with no plug), and narrow lens ? Lamp: ZB-HX600 120V 575W Halogen ? Dimensions: 11.5″ x 8.5″ x 8.5″ ? Weight: 7 lbs.

American Dj Opti Par Light Image

American Dj Opti Par Light Image

American Dj Opti Par Light Photo

American Dj Opti Par Light Image

American Dj Opti Par Light Pic

American Dj Opti Par Light Picture

When it comes to DJ equipments, a few brands come to mind. The ones that are most general Numark, American DJ Supply, Pioneer, Denon, Gemini, Odyssey, Stanton, M-Audio and Chauvet. These are the brands to look for when laying out capital in DJ equipments.

When it comes to DJ equipments, a few brands come to mind. The ones that are most popular Numark, American DJ Supply, Pioneer, Denon, Gemini, Odyssey, Stanton, M-Audio and Chauvet. These are the brands to look for when laying out capital in DJ equipments.

Numark is a international brand that manufactures a wide range of mixers, turntables and DJ CD players. One of their latest introductions is the DJ DVD Mixing Console. It is also one of the pioneers of Computer DJing through it is firstborn mixing software called Cue. PT01 is a one of it is most ordinary product, a belt-driven turntable with a built-in cartridge and removable stylus. Among other general merchandise are the iDJ mixer, Dimension 3 and 4 amplifiers and Numark Total Control software controller.

American DJ Supply – this brand is widely known for it is lighting products. It gives rise to the best lamps, lasers, oscillators, centerpieces, fog/haze machines, L.E.Ds and a heap of other intellectual lighting schemes that have long life and low in power consumption. The Accu LED MH is one of it is latest products.

Pioneer is largely known for it is DVD Video /CD decks with MP3. DVJ-1000 is one of it is widely known and esteemed table top players. It allows playback of MP3 files recorded onto DVD discs and has a preview monitor which displays a wide range of info eliminating the need to switch display modes. This brand likewise develops high-end speakers.

DN-HS5500CD is one of Denon’s latest products. It is a direct drive multi-media player and controller that has 2 decks, a built-in slot-in DC drive unit and has a USB interface. Denon is known for developing compact equipments.

When it comes to quality turntable/mixer/ consolation cases and a wide range on accessories, Odyssey is the one that gives rise to the best.

M-Audio is manufacturer of digital audio work station and MIDI interfaces. It also boasts DJ software systems. One of it is latest releases is the Torq® DJ which is Windows XP SP2, Vista (32-bit) and Mac OS X compatible.

American Dj T20f4ch Controller Switch

CHASE CONTROLLER THAT WILL CONTROL CONVENTIONAL LIGHTING AS WELL AS LED. CONTROLS 4 CHANNELS AND CAN RUN BY SPEED OR AUDIO ACTIVATION 16 SELECTABLE CHASE PROGRAMS BUILT IN COMES WITH A FOOT SWITCH AND CAN BE LINKED VIA XLR CABLE TO ADDITIONAL CHASERS

American Dj T20f4ch Controller Switch Pic

American Dj T20f4ch Controller Switch Picture

American Dj T20f4ch Controller Switch Picture

American Dj T20f4ch Controller Switch Photo

American Dj T20f4ch Controller Switch Picture

American Dj T20f4ch Controller Switch Picture

Most helpful customer reviews

0 of 0 people found the following review helpful.
NICE STARTER SYSTEM
By Ron from Michigan
I am very pleased with American DJ T20F4Ch Chase Controller With Foot Switch. I bought 2 to develop a small simple lighting package for a basement band project.

0 of 0 people found the following review helpful.
Moves through a pattern, one beat at a time, I’d call it single channel.
By Fshad
I bought this hoping it would close to a color organ (turn lights on and off depending on the beat of the music). Well it is and it’s not. A color organ, like the one I have now that was $50, will independently turn lights on and off depending on the wave range each channel is assigned to. Not so here. It is basically a single chancel color organ. The beat of the music moves the chase pattern along one step, per beat.

Some of the more complicated chase patterns give the illusion that is actually 4 channel, but if you look at the lights for a few second, you see that it’s just following a pattern, and each beat just moves the pattern along once step. If it had a random pattern at least that would be great, but it doesn’t.

If you use this as part of a larger light system or have a controller to connect to this, well then I think this would be well worth the money, but on its own, not that impressive.

Furthermore, the inner box had clearly been opened AT LEAST three times (layers of cut tape upon cut tape). They clearly “reship” returned merchandise. Well mine is going to have another layer of tape since I’m returning my Christmas present. I’d give this a 3 but the repackaging costs them another point from me, if you don’t care about that, consider my rate a 3.

See all 2 customer reviews…

When it comes to DJ equipments, a few brands come to mind. The ones that are most standard Numark, American DJ Supply, Pioneer, Denon, Gemini, Odyssey, Stanton, M-Audio and Chauvet. These are the brands to look for when laying out capital in DJ equipments.

When it comes to DJ equipments, a few brands come to mind. The ones that are most general Numark, American DJ Supply, Pioneer, Denon, Gemini, Odyssey, Stanton, M-Audio and Chauvet. These are the brands to look for when investing in DJ equipments.

Numark is a international brand that manufactures a wide range of mixers, turntables and DJ CD players. One of their latest introductions is the DJ DVD Mixing Console. It is likewise one of the pioneers of Computer DJing through it is introductory mixing software called Cue. PT01 is a one of it is most standard product, a belt-driven turntable with a built-in cartridge and removable stylus. Among other general productions are the iDJ mixer, Dimension 3 and 4 amplifiers and Numark Total Control software controller.

American DJ Supply – this brand is widely known for it is lighting products. It develops the best lamps, lasers, oscillators, centerpieces, fog/haze machines, L.E.Ds and numerous other intellectual lighting systems that have long life and low in power consumption. The Accu LED MH is one of it is latest products.

Pioneer is largely known for it is DVD Video /CD decks with MP3. DVJ-1000 is one of it is widely known and esteemed table top players. It allows playback of MP3 files recorded onto DVD discs and has a preview monitor which displays a wide range of info eliminating the need to switch display modes. This brand likewise develops high-end speakers.

DN-HS5500CD is one of Denon’s latest products. It is a direct drive multi-media player and controller that has 2 decks, a built-in slot-in DC drive unit and has a USB interface. Denon is known for developing compact equipments.

When it comes to quality turntable/mixer/ consolation cases and a wide range on accessories, Odyssey is the one that gives rise to the best.

M-Audio is manufacturer of digital audio work station and MIDI interfaces. It likewise boasts DJ software systems. One of it is latest releases is the Torq® DJ which is Windows XP SP2, Vista (32-bit) and Mac OS X compatible.

American Dj Accu Led Mh

The Accu LED MH is a nine channel, moving head, DMX intellectual fixture. The fixture may operate in three dissimilar operating modes; stand alone, sound-active, or in a Master/Slave configuration. The Accu LED MH comes with assorted built in programs that may be used, while operating as a stand alone unit or when applied in multiples linked in a master/slave configuration.For best results use fog or particular effects smoke to heighten the beams projections.Every Accu LED MH has been exhaustively tested and has been shipped in perfective operating condition.Accu LED MH Features: – High-powered moving head LED with sharp red, green, and blue beams – 69 total LEDs: 24 Red, 21 Green, 24 blue – 9 DMX Channels – 4-Button menu scheme making it easy to navigate – Auto X-Y repositioning – Output similar to a 250W halogen lamp (based on visual side-by-side comparison with halogen fixtures – Pulse effect – Strobe effect – DMX-512 protocol – 3 Operational modes: DMX-512, Master/Slave & Sound Active – 360 pan / 265 tilt (8-bit) – Built-in LED lighting programs & sound active mode – Smart Sense unit mechanically recognizes if it is in DMX or Master/Slave mode – Stepper motors with micro-stepping – Fan cooled

American Dj Accu Led Mh Photo

American Dj Accu Led Mh Picture

American Dj Accu Led Mh Picture

American Dj Accu Led Mh Picture

American Dj Accu Led Mh Photo

American Dj Accu Led Mh Pic

A Mobile DJ is an entertainer that travels to locatings to provide amusement for a specific event. Where will you see a Mobile DJ? You’ll see a Mobile DJ supplying amusement for Birthday Parties, Sweet 16′s, Bar-Bat Mitzvahs, Weddings, Class Reunions, Graduation Parties, Corporate Parties, etc.

Mobile DJ’s (somewhat of an oxymoron before the turn of the 21st century) weren’t so mobile. You would see 2 big turntables, a huge mixer, huge amplifier, huge speakers, huge heavy crates full of 78′s, lots of wires, and just too much stuff and not effortlessly mobile. Although Big Club DJ’s and a heap of “old school” DJ’s still love spinning on turntables, it’s just not effective for a typical Event DJ. As engineering science gets littler and more efficient, DJ’ing instrumentation is getting much requiring little effort to transport, set-up, and operate.

The DJ’s that use the larger turntable systems look and sound astounding while beat mixing but you won’t see a great deal of of them DJ’ing littler events that may just require a lot of background music. A kid with an iPod, with a good playlist, and speakers may in all probability provide decent songs while a huge turntable mixing system is just overkill. A good mobile DJ with the right instrumentation may be very profitable and successful at these events and may even get started building a reputable DJ business. As the business builds, and gigs get started to accumulate, it’s crucial to have DJ instrumentation that is reliable, easy to set-up, and effective.

When looking for dependable instrumentation as a Mobile DJ, it’s important to look for “name” brands. Even with name brands, a DJ has a choice amid lower quality-lower prices, higher-quality, higher-prices. For MP3 and CD Players, names like Gemini and American Audio are for less “name” brands but they are lower in quality than Denon or Pioneer. Numark, antecedently a mid-level quality company has been reaching new engineering (check out Newmarks, NS7FX) that is beginning to compete with the huge boys.

Here are a heap of of the most general Dual CD/MP3 Players with example-averaged prices being used by DJ’s: Gemini CDMP-6000 ($399.95), Gemini CDX-2400 Rackmount ($170.00), American Audio CK 1000 Table Top Dual ($399.00), American Audio Velocity Professional Dual ($599.00), Numark CD Mix-1 Dual (199.00), Numark CDN22 Rack Mount Dual CD Player (149.00), Denon DN-D6000 Dual CD MP3 Player ($850.00), Pioneer CMX-3000 Dual Rackmount CD Player ($1,000).

You may plainly see a price divergence but you will experience a noticeable divergence in quality amid a cd controller retail for $200 as opposed to the Pioneer CMX for a grand.

Some Mobile DJ’s have even decisive to make their set-up even more mobile by doing away with CD’s and purchasing MP3 Players that have external hard drive or iPod connections. I run all my parties with MP3′s no CD’s. Although I have a Denon 4500 CD player in my system, it is only applied if an individual has cd they want me to play.

Here are a good deal of of the most popular MP3 players with example averaged prices. Numark’s IDJ Mixing Console for iPod ($160.00), Numark’s IDJ2 DJ Console for the IPod and External Hard Drive connections ($399.00), Numark’s D2 Director Mass Storage Player and Manager, Denon DN-HD2500 Hard Disk Media ($599.00), Pioneer MEP-7000 Professional Media Player with CD Decks ($1400)

Some of these units may be used as controllers for general Laptop Mixing Software like Traktor, Virtual DJ, PCDC, and Serato Scratch. There are general controllers like the Vestax VCI-100MV Mixvibes Edition DJ Controller that is specifically designed to control laptop software. Numark’s NS7 DJ ($1300.00) is getting a good deal of huge attention from Serato users.

If DJ’ing on a laptop, consider using that laptop solely for DJ’ing. Other programs or files on the laptop may slow the necessary processing speed.

Once a Mobile DJ has a player, now a good mixer has to be considered. Again, there are good name brands with lower quality-lower prices and good name brands with higher quality-higher prices. Behringer is a authenti brand on the lower end. Consider the Behringer DX626 Pro Mixer ($100.00), Vestax PMC-280 4 Channel DJ Mixer With Digital Effects ($499.00), Denon DN-X1100 4 Channel DJ Mixer ($700.00), or the Pioneer DJM-800 Professional Mixer ($1,700.00). A Mobile DJ can’t go wrong with any of these selections but the pricier mixers do offer more features like effects, more mic inputs, talk over, etc.

Once a Player is selected, and a Mixer is selected, all that’s left are some good powerful speakers. The best type of speakers a mobile DJ may use is Active/Powered Speakers. Passive speakers would require an amplifier or a powered mixer with more weight added to the rig. A DJ may run an XLR cable out of the mixers, plug directly into the powered speakers, plug the speakers in, and voile, sound! ‘

There are a few decent companies that I could suggest. Here are a few products: Behringer Eurolive B208D Active PA ($180.00), American Audio XSP-10A Powered Speaker ($200.00). Here are the companies that I highly recommend: Mackie, JBL, and RCF. Mackie SRM450 v2 Active PA ($500.00), Mackie SRM350 v2 Active, JBL EON515 450 Watt 15″ Powered ($800.00), JBL PRX535 3 Way 15″ ($1000.00), RCF ART312A or RCFART315A Powered Speakers 15″ ($1100.00).

A Mobile DJ will have to have a finelooking simple Set-up. At this point we have discussed a Media Player (CD/MP3 or only MP3), Mixer, and Powered Speakers. This is all the instrumentation that is necessary for Mobile DJ.

A good case with a sturdy rack will have to be considered as well ($200-$400). The Player and Mixer will be screwed down on the top, and in the front of the rack you’ll have the dual cd decks (if a cd player is purchased) and a power strip to plug everything in. Now the rig is; 2 speakers, the case with all the elements all safe and secured, a bag with wires (xlr cables, rca cables, etc.), and speaker poles.

Now all you’ll need is music and set lists. Besides learning how the instrumentation works, this is the most difficult part of DJ’ing. Good set lists and outstanding music is what separates good DJs from bad DJs no matter how pricey or elaborated their instrumentation is. Djs who have been agreeably diverting for a long time have learned from experience what songs work for specific sets.

Where do new DJs or Intermediate DJs go to learn set-mixes that work? A website has been developed for Event/Mobile DJs to give DJs prompt access to Set lists for all types of parties; Weddings, Birthdays, Kids, Sweet 16′s, Graduations, and great mixes for usual dance music, modified monthly. It may likewise be a resource internetlocation for DJ’s to go and get all types of helpful tips, how-to’s, and information, song programming techniques, and event forms.

Being a mobile DJ is fun, exciting, and very profitable! As engineering gets littler and having little impact to use,more and more humans will be attempting to master DJ’ing. Technology is only half of the skill. The other half of being a outstanding Mobile DJ is knowing your music and being convinced in your set lists. Having Good Equipment and Great Mixes is all a DJ needs to be outstanding in the 21st century.

American Audio Tabletop Player Cdi100

Coby’s MP620 Video and MP3 Player offers playback of music, videos, photos, and text files, with intuitive navigation and a brilliant 1.8-inch TFT LCD display. With 4 GB of memory you’ll get sufficient room for regarding 1000 songs, and Coby’s Media Manager software is included for easy and hassle-free media syncing. A outstanding media player without the big price tag.

Coby’s MP620 Video and MP3 Player offers playback of music, videos, photos, and text files, with intuitive navigation and a brilliant 1.8-inch TFT LCD display. With 4 GB of memory you’ll get sufficient room for in regards to 1000 songs, and Coby’s Media Manager software is included for easy and hassle-free media syncing. A outstanding media player without the big price tag.

A outstanding media player without the huge price tag. Click to enlarge.

Enjoy your bestloved tracks with ID3 tag selective information such as artist, album, etc. displayed.

Share your bestloved photos one-at-a-time or in slideshow displays.

Use Coby’s Media Manager software to effortlessly sync your device, or just drag and drop files.

1.8-Inch LCD Display
Enjoy your videos, pictures, and album art on the go with the MP620′s color TFT display.

4 GB Flash Memory
The MP620 features 4 gigabytes of flash memory on-board, sufficient room for up to 1000 songs.

Rechargeable Battery
Get up to eight hours of music playback on a single charge with the integrated rechargeable Li-Poly battery.

Intuitive Controls
Navigate the MP620′s features with ease using the circular four-way button and middle “enter” button. Get to precisely what you’re after, right when you need it.

Enjoy Your Media
The Coby MP620 is ready for your favored music, movies, and photos, so you may take them anywhere–whether it’s for your own enjoyment, or a little sharing.

Play back your bestloved MP3/WMA music files for hours of entertainment. If your music files comprise ID3 tags, you will be capable to view your tracks by Artist, Album, or Genre. Create a quick playlist on the fly, receive pleasure from random playback, repeat mode, and more. For the lyrics freaks, LRC files are also supported, so you may view the words (including synchronized timing display).

Use the photo browser to explore and share your photo files. JPEG and BMP formats are supported, and the slideshow function makes a great way to part with friends.

Support is offered for video in the MTV format, at 128×128 pixel resolution, and 25 fps (frames per second). Basic controls–e.g., fast-forward, rewind, scan, etc.–are provided for your convenience.

Integrated FM Radio
Using the headphones and an antenna, the MP620 delivers FM radio, so you may check up on the news or your bestloved programming on the go. Preset your favorit stations for quick access, or have the MP60 do a quick scan of local stations.

Equalizer Presets
To further dial in your sound, pick an EQ preset that works with whatsoever you’re listening to: Normal, Pop, Rock, Classic, Jazz, or Bass.

Text Files
Read text files on your screen, including eBooks in the TXT format. Set font color, turn on automati scroll, and save your current emplacement with “bookmarks.”

Choose Your Software
The included Coby Media Manager software will let you convert your existent audio and video clips to the rectify formats, for enjoyment on your device. You may also choose to handle the conversion in your own preferent way, and merely drag-and-drop files onto the device like any other system folder.

USB 2.0
This device uses USB 2.0 for speedy file transfers when syncing.

What’s in the Box

4GB Coby MP620 (Blue), Stereo Earphones, USB Cable, User’s Manual